Bach Bibliography
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
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1. Melamed, Daniel R.Hearing Bach's Passions. New York: Oxford University Press, 2005. vii, 178p. ISBN: 0-19-516933-6. - rev. edn, 2016. xxiii, 178p. ISBN: 978-0-19-049012-6 2005 vii, 178p
2. Melamed, Daniel R.; Marissen, MichaelAn introduction to Bach Studies. New York and Oxford: Oxford University Press, 1998. xi, 189p. 1998 xi, 189p
3. Melamed, Daniel R.J. S. Bach and the German Motet. Cambridge Univ Press, 1995. xv, 229p - R/2005 (paperback). xv, 229p. ISBN: 0-521-61976-9. 1995 xv, 229p
4. Melamed, Daniel R.Listening to Bach: the Mass in B minor and Christmas oratorio. New York, NY: Oxford University Press, 2018. xx, 149p. ISBN: 978-0-19-088105-4; 978-0-19-088107-8. 2018 xx, 149p
5. Melamed, Daniel R.Multi-day Passions and J.S. Bach's Christmas oratorio, BWV248. 18cM 11 2 Sep 2014 215-234
6. Melamed, Daniel R.How Did J. S. Bach's 'Aus Liebe will mein Heiland sterben,' BWV 244/49, Get to Be So Slow? 19cM 43 1 Summer 2019 3-16
7. Melamed, Daniel R.A Tool from the Late 17th Century for Chorale Research. AmerBachSocNL Fall 2001 6-7
8. Melamed, Daniel R.The Text of 'Gott ist mein König' BWV 71. Bach 32 1 2001 1-16
9. Melamed, Daniel R.Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. Kleine Beiträge. BachJb 75 1989 191-196
10. Melamed, Daniel R.Mehr zur Chronologie von Bachs Weimarer Kantaten. Kleine Beiträge. BachJb 79 1993 213-216
11. Melamed, Daniel R.; Sanders, Reginald L.Zum Text und Kontext der 'Keiser'-Markuspassion. BachJb 85 1999 35-50
12. Melamed, Daniel R.Die alte Chorbibliothek der Kirche Divi Blasii zu Mühlhausen. Kleine Beiträge. BachJb 88 2002 209-216
13. Melamed, Daniel R.Bach und Palestrina -- Einige praktische Probleme I. Kleine Beiträge. BachJb 89 2003 221-224
14. Melamed, Daniel R.Hat Johann Sebastian Bach die Lukas-Passion BWV 246 aufgeführt? (Übersetzung: Stephanie Wollny) BachJb 92 2006 161-169
15. Melamed, Daniel R.Bachs Schwester. Kleine Beiträge. BachJb 94 2008 337-341
16. Melamed, Daniel R.Johann Sebastian Bach, Johann Gottfried Walther und die Musik von Giovanni Pierluigi da Palestrina. Übersetzung: Stephanie Wollny. BachJb 98 2012 73-93
17. Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.Bach & Friends: Three Reviews of Michael Lawrence's New Film. http://www.americanbachsociety.org/Newsletters/BachNotes13.pdf BachNotesABS 13 Fall 2010 1-4
18. Melamed, Daniel R.Johann Sebastian Bach and Barthold Heinrich Brockes. BachPerspectives 8 2011 13-41
19. Melamed, Daniel R. (ed.)J. S. Bach and the Oratorio Tradition. Edited by Daniel R. Melamed. - Urbana, Chicago and Springfield: University of Illinois Press, 2011. ix, 153p. ISBN-10 0-252-03584-4. ISBN13 978-0-252-03584-5. (= Bach Perspectives, 8) BachPerspectives 8 2011 ix, 153p
20. Melamed, Daniel R.A thirty-six voice canon in the hand of C. P. E. Bach. BachStud 2 1995 107-118
21. Melamed, Daniel R. (ed.)Bach Studies 2. Cambridge Univ. Press, 1995, xiv, 238p. BachStud 2 1995 xiv, 238p
22. Melamed, Daniel R.Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho. trans. by Ryuichi Higuchi. [Motett-style movements in Bach's Church Cantatas] BachZenshu 4 Oct 1998 88-96
23. Melamed, Daniel R.Probleme zu Chronologie, Stil und Zweck der Motetten Johann Sebastian Bachs. BeitrBachF 9-10 1991 277-284
24. Melamed, Daniel R.Counterpoint in Mozart's 'Die Entführung aus dem Serail'. CambridgeOperaJ 20 1 2008 25-51
25. Melamed, Daniel R.Choral Unison in J.S. Bach's Vocal Music. [ce]AboutBach 2008 53-60
26. Melamed, Daniel R.Misa Kyoku, Magnificat. [Masses, Magnificat] [ce]BachJiten 1996 220-224
27. Melamed, Daniel R.Gassho to Koraru Gakkyoku. [Chor- und Choralsätze.] Trans. by Tadashi Isoyama and Mariko Ikegami. [ce]BachKantataNoSekai 1 2001 271-296
28. Melamed, Daniel R.Gasshokyoku, Nijushokyoku, Kigakukyoku. [Chöre, Deutte und Instrumentalstücke] Trans. by Kazuhiro Fujiwara. [ce]BachKantataNoSekai 2 2002 331-348
29. Melamed, Daniel R.Gasshokyoku. [Chorsätze] Trans. by Tadashi Isoyama and Erina Hayasaki. [ce]BachKantataNoSekai 3 2002 299-320
30. Melamed, Daniel R.Chor- und Choralsätze. [ce]WeltBachKantaten 1 1996 169-184
31. Melamed, Daniel R.Chöre, Duette und Instrumentalstücke. [ce]WeltBachKantaten 2 1997 201-212
32. Melamed, Daniel R.Chorsätze. [ce]WeltBachKantaten 3 1999 177-192
33. Melamed, Daniel R.Cantatekoren en koralen. [Cantata choirs and chorales] trans. Christo Lelie. [ce]WereldBachCantates 1 1995 168-183
34. Melamed, Daniel R.Koren, duetten en instrumentale delen. [Choruses, duets, and instrumental sections] [ce]WereldBachCantates 2 1997 202-213
35. Melamed, Daniel R.Koren. [Choruses] [ce]WereldBachCantates 3 1998 176-191
36. Melamed, Daniel R.Choruses and Chorales. [ce]WorldOfBachCantatas 1 1997 155-170
37. Melamed, Daniel R.Bach's St. John Passion: Can We Really Still Hear the Work--and Which One? Chapter Eleven. [ce]WorldOfBaroqueMusic 2006 235-252
38. Melamed, Daniel R.Staffing J. S. Bach's St. Matthew Passion Then and Now. Bach in the Blood. http://www.yale.edu/ism/colloq_journal/vol4/melamed1.html Colloquium 4 Autumn 2007 145-150
39. Melamed, Daniel R. (ed.)Passion according to St. Luke (1771): based on a setting by Georg Philipp Telemann ; incorporating music by Georg Anton Benda, Gottfried Heinrich Stölzel, and Gottfried August Homilius / Carl Philipp Emanuel Bach. Edited by Daniel R. Melamed. - Los Altos, CA: Packard Humanities Institute, 2009. xxiii, 8, 132p. ISBN: 978-1-933280-22-6 (= Carl Philipp Emanuel Bach: The Complete Works. Series IV: Oratorios and passions, Volume 6.1) [H 784] CPEBachCW 4 6.1 2009 xxiii, 8, 132p
40. Goldberg, Randall E.; Melamed, Daniel R. (eds.)Passion according to St. Luke (1775) / Carl Philipp Emanuel Bach. Edited by Randall E. Goldberg and Daniel R. Melamed. - Los Altos, CA: Packard Humanities Institute, 2011. xxx, 153p. ISBN: 978-1-933280-41-7. (= Carl Philipp Emanuel Bach: The Complete Works. Series IV: Oratorios and passions, Volume 6.2) [H 788] CPEBachCW 4 6.2 2011 xxx, 153p
41. Melamed, Daniel RichardJ. S. Bach and the German motet. PhD diss. Cambridge, Mass.: Harvard University 1989. x, 333 Bl. diss. 1989 x, 333 Bl
42. Melamed, Daniel R.Text, voice, and genre in 'Nun ist der Herr zur Ruh gebracht' BWV 244/67. EastmanStudM 102 2013 111-135
43. Melamed, Daniel R.Two Unusual Cues in J. S. Bach's Performing Parts. [fs]Leaver65 2007 141-146
44. Melamed, Daniel R.Der Text der Kantate 'Gott ist mein König' (BWV 71). [fs]Schulze65 1999 160-172
45. Melamed, Daniel R.The Passions: Versions and Problems / Las pasiones: versiones y problemas. http://goldbergweb.com/en/magazine/essays/2005/06/31964.php Traducido por José Luis Gil Aristu: http://goldbergweb.com/es/magazine/essays/2005/06/31963.php Goldberg 34 Jun 2005 30-37
46. Melamed, Daniel R.The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. HarvardPubM 22 2008 189-205 [fs]CWolff
47. Melamed, Daniel R.The Authorship of the Motet 'Ich lasse dich nicht' (BWV Anh. 159). JAMSoc 41 3 Autumn 1988 491-526
48. Melamed, Daniel R.The Double Chorus in J. S. Bach's St. Matthew Passion BWV 244. JAMSoc 57 1 Spring 2004 3-50
49. Melamed, Daniel R.J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition. JMcol 14 4 Autumn 1996 453-474
50. Melamed, Daniel R.Bachs Aufführung der Hamburger Markus-Passion in den 1740er Jahren. Übersetzung von Ulrich Leisinger. LeipzigerBeitrBachF 5 2002 289-308
51. Melamed, Daniel R.Constructing Johann Christoph Bach (1642-1703). MLetters 80 3 Aug 1999 345-365
52. Melamed, Daniel R.Bach Revived: If Wishes Were Passions. NYTimes 2 Apr 2000
53. Melamed, Daniel R.Johann Sebastian Bach and Barthold Heinrich Brockes. A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania [p]ABS_Bethlehem May 2008
54. Melamed, Daniel R.Joh. Christoph Bach, org. Paper read at American Bach Society, Biennial Meeting. University of California, Berkeley, April 12-14, 1996. [p]ABS_California Apr 1996
55. Melamed, Daniel R.Did Bach's Listeners Analyze? A paper read at the biennial meeting of the American Bach Society 'Johann Sebastian Bach and His Sons' held at Kenyon College in Ohio, May 1-4, 2014. [p]ABS_Ohio May 2014
56. Melamed, Daniel R.Two Sanctus Settings by Johann Christoph Altnickol. A paper read at the biennial meeting of the American Bach Society 'J. S. Bach and the Confessional Landscape of His Time' held at University of Notre Dame (South Bend, IN), April 7-10, 2016. [p]ABS_SouthBend Apr 2016
57. Melamed, Daniel R.The Text of Gott ist mein König BWV 71. Paper read at American Bach Society Biennial Meeting, Washington, D. C., April 7-9, 2000. [p]ABS_Washington Apr 2000
58. Melamed, Daniel R.Problems of Chronology, Style, and Function in J. S. Bach's Motets. A paper read at the 54th Annual Meeting of the AMS and the 11th Annual Meeting of the Society for Music Theory, 3-6 November 1988 in Baltimore, Maryland. [p]AMS_Baltimore Nov 1988
59. Melamed, Daniel R.J. S. Bach and the Altbachisches Archiv. A paper read at the AMS/SEM/SMT Oakland Annual Meetings on 7-11 November 1990. [p]AMS_Oakland Nov 1990
60. Melamed, Daniel R.How Did J.S. Bach Teach Vocal Composition? A paper read at the American Musicological Society Annual Meeting in Pittsburgh on 5-8 November 1992. [p]AMS_Pittsburgh Nov 1992
61. Melamed, Daniel R.; Parrott, Andrew; Fehleisen, FredPrinciples and potential for the development of the performance-academic discourse. A session presented at the Eighth J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 10-15 July 2017. [p]BNUK_Cambridge Jul 2017
62. Melamed, Daniel R.Did J. S. Bach’s Listeners Analyze? A paper read at the dialogue session 'analytical issues in Bach’s vocal music' presented at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. Respondent: Michael Marissen. [p]BNUK_Warsaw Jul 2013
63. Melamed, Daniel R.Seventeenth-Century Hamburg Passions and Their Shadows in the Eighteenth Century. A Paper read at the 'The Century of Bach and Mozart Perspectives on Historiography, Composition, Theory & Performance', a conference dedicated to Christoph Wolff, held on September 23-25, 2005 at John Knowles Paine Concert Hall, Harvard University. [p]CWolff_Harvard Sep 2005
64. Melamed, Daniel R.Scoring, text and genre in 'Nun ist der Herr zu Ruh gebracht' BWV 244/67. A keynote paper read at SMA Spring Study Day 'Bach's Passions' held on 24-25 April 2009 at University of Glasgow. [p]SMA_Glasgow Apr 2009
65. Melamed, Daniel R.Bach's Leipzig performances of the Hamburg St. Mark Passion. A paper read at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000. [p]WK_Leipzig Jan 2000
66. Melamed, Daniel R. (ed.)Motets / Johann Ludwig Bach. Edited by Daniel Melamed. - Middleton, WI: A-R Editions, 2001. xix, 203p. ISBN: 0-89579-470-5; 978-0-89579-470-3. (= Recent researches in the music of the Baroque era, B 108) RecentResearchMBaroq 108 2001 xix, 203p
67. Melamed, Daniel R.Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. [Konzert 25.8.1990] SommerAkadJSBach Almanach 1990 ii: 14 - 17
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